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NiSi Cine Lens Athena Prime Rewind 50mm T1.9 PL-Mount
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Or ask about:
| Type of Product | Lenses |
| Lens mount | PL Mount |
| Lens Format Coverage | Full Frame |
| Lens Design | Prime Lenses |
| Lens focus length, mm | 50 |
| Focus Type | Manual Focus |
| Image Stabilization | No |
| Lens type | CINEMA |
| Maximum Aperture | T1.9 |
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NiSi Cine Lens Athena Prime Rewind 50mm T1.9 PL-Mount
Vintage character with modern control
Thanks to its deliberately designed optical design, the NiSi Athena Rewind simulates the characteristics of vintage film-era lenses, including enhanced aberrations, reduced sharpness at wide apertures, and improved softness for an authentic vintage look without using actual old lenses.
Adjustable stylization using aperture
The vintage character is most pronounced at T1.9, gradually decreasing to T2.8 (the balanced optimal range), and from T5.6 to T8, the lens performs almost like a modern cinematography lens, providing filmmakers with creative adjustment options.
Distinctive bubble bokeh
At wide apertures, the NiSi Athena Rewind creates characteristic bubble bokeh with bright edges and darker centers in out-of-focus highlights, most pronounced in 35mm and 50mm lenses, and can be controlled as it fades around T4.0.
Warm, expressive reflections
Compared to standard Athena Prime, the light beam intensity is significantly increased, featuring a warm color tone, adding a cinematic character to backlit scenes and practical lighting setups.
Color matching with standard Athena Prime
The NiSi Athena Rewind color reproduction closely matches the standard Athena Prime, allowing for easy mounting or combining both lens sets on set without color correction in post-production.
Comprehensive 5-lens focus range
Full-frame coverage from 14mm ultra-wide to 85mm portrait lens, with a 46mm imaging circle supporting all full-frame cinema cameras and larger format sensors.
300-degree focus ring with fluorescent scales
Precise focus adjustment is simple, thanks to the 300-degree rotation and fluorescent focus markings, ensuring visibility in low-light conditions.
Uniform weight and size across all lenses
Easy lens swapping without the need to rebalance the gimbal, adjust the tripod, or reconfigure the matte box, saving valuable time on set.
Rear filter mount for creative flexibility
Built-in rear filter slot allows for quick changes of gels and filters without disturbing the front of the lens, maintaining a simple workflow.
Minimal focus breathing
Ensures a consistent field of view during focus adjustments, which is crucial in cinematographic focus pulling and professional video production.
Preserved cylindrical distortion for a natural feel
All NiSi Athena Rewind lenses maintain cylindrical distortion, promoting a natural, analog character that sets them apart from clinically corrected modern optics.
Included in the package
- NiSi Athena Rewind 50mm T1.9 PL-Mount
